How to Lose a Guy in 10 Days Is Getting a Sequel 23 Years Later — And Kate Hudson Is Leading the Charge

Andie Anderson and Benjamin Barry may finally get their second act. More than two decades after they turned a magazine assignment and a barroom bet into one of the most rewatched romantic comedies of the 2000s, a follow-up to How to Lose a Guy in 10 Days is officially in the works at Paramount — and Kate Hudson isn’t just being courted to star. She’s stepping behind the camera as a producer to help make it happen.

What’s Actually Been Confirmed

The project is real, but it’s early. Paramount is developing the sequel with Hudson attached to produce through her Shiny Penny banner, alongside veteran producer Stacey Sher. The studio’s clear ambition is to reunite Hudson and her original co-star, Matthew McConaughey, in the roles that made the 2003 film a cultural touchstone. That said, no deal has been signed, no director is attached, and there’s no release date on the calendar.

The reason for the caution is simple: the film doesn’t have a script yet. Producers are currently hunting for a screenwriter, and the eventual casting will hinge on the story that writer delivers. In other words, everything rides on the page.

The Producing Muscle Behind It

Hudson won’t be steering this alone. Her producing partner Sher brings a résumé that reads like a modern film-school syllabus — a career spanning some of the most acclaimed and commercially successful movies of the last thirty years. That kind of pedigree signals Paramount isn’t treating this as a throwaway nostalgia grab; there’s serious intent to get it right rather than fast.

Why Hudson and McConaughey Have Kept Fans Waiting

The chemistry between the two leads was always the film’s engine, and both actors have spent years hinting they’d come back under the right conditions. Hudson has repeatedly said she and McConaughey are open to a reunion, with one non-negotiable: the script has to be worth it. She’s even mused publicly about where Andie and Ben would be today — likely married, likely with kids, and, in her words, at exactly the right distance in time to make a story about their life together feel earned.

McConaughey, for his part, has spoken warmly about the instant rapport the two shared before cameras ever rolled — the ribbing, the laughter, the easy “let’s have fun with this” energy that he credits for making the original click in the first place.

A Sequel Landing in the Middle of a Nostalgia Boom

The timing is no accident. Hollywood is deep in a cycle of reviving beloved titles, and the romantic-comedy corner has proven especially fertile ground. The genre’s appetite for legacy sequels is running hot right now, and studios have watched revivals of turn-of-the-century favorites pull in enormous global numbers. A How to Lose a Guy return slots neatly into that strategy — a recognizable title, a built-in audience that grew up on it, and two stars whose reunion alone would generate headlines.

The Insight: Why This One Could Actually Work Where Others Stumble

Here’s what separates this project from the average nostalgia cash-in — and it’s worth pausing on. Most legacy sequels fail because they try to recreate the magic of the original beat for beat, mistaking familiarity for affection. But the specific charm of How to Lose a Guy in 10 Days was never the plot mechanics; it was watching two people who couldn’t stop performing for each other slowly forget they were performing. That’s a dynamic that doesn’t age — it just changes shape. A married Andie and Ben, two decades into real life with the schemes and games long retired, offers something the first film couldn’t: the comedy of what happens after the chase, when the hardest person to win over is the one you already live with. If the eventual screenwriter understands that the sequel’s job is evolution rather than imitation — and if Hudson’s producer role means she’s guarding that instinct from the inside — this has a genuine shot at being the rare revival that justifies its own existence. The fact that the whole thing is being built script-first, rather than rushed to capitalize on a trend, is the most encouraging sign of all.

For now, fans have what they’ve wanted for 23 years: confirmation that Andie and Ben’s story isn’t finished. The rest is up to the page.